Sunday, February 24, 2013

Nice Modern Art Deco Design photos

NYC - Midtown: Chrysler Building - Elevator Hall
modern art deco design
Image by wallyg
The upwards tapering entrance lobby of the Chrysler Building rises three stories high with entrances from three sides--Lexington Avenue, 42nd and 43rd Streets. It is lavishly decorated with Red Moroccan marble walls, sienna-coloured floor and onyx, blue marble and steel in Art Deco compositions. The ceiling murals, painted by Edward Trumbull, praise the modern-day technical progress, including the building itself and its construction. The lobby was refurbished in 1978 by JCS Design Assocs. and Joseph Pell Lombardi.

The four elevator halls are lined with the same red marble and the doors of the twenty-eight passenger elevators are a striking handsome Art Deco design, displaying an abstract lotus pattern executed in metal and inlaid wood veneers.

The Chrysler Building, at 405 Lexington Avenue, was built from 1928-1930 to the art-deco design of architect William Van Alen. Standing at 1,046-feet high, it was the first structure in the world to surpass the 1,000-foot threshold. Despite being overtaken by the Empire State Building as the tallest building in the world eleven months later, the Chrysler Building is still the tallest brick building in the world. Although built and designed specifically for the Chrysler Corporation, the company did not pay for its construction and never owned it. Walter P. Chrysler self-financed the project so that his children could inherit it.

The Chrysler Building is known for its terraced crown, composed of seven arches and clad in an austenitic stainless steel and riveted in a radiating suburst pattern. The tower's distinctive ornamentation is influenced by Chrysler automobiles. The corners of the 61st floors are graced with eagles, replicas of the 1929 Chrysler hood ornaments. On the 31st floors the corner ornamentation are replicas of the 1929 Chrysler radiator caps.

The Chrysler Building was designated a landmark by the New York City Landmarks Preservation Commission in 1978. The ground floor interior was separately designated, also in 1978.

In 2007, The Chrysler Building was ranked #9 on the AIA 150 America's Favorite Architecture list.

National Historic Register #76001237 (1976)


NYC - Midtown: Chrysler Building - Elevator Hall
modern art deco design
Image by wallyg
The upwards tapering entrance lobby of the Chrysler Building rises three stories high with entrances from three sides--Lexington Avenue, 42nd and 43rd Streets. It is lavishly decorated with Red Moroccan marble walls, sienna-coloured floor and onyx, blue marble and steel in Art Deco compositions. The ceiling murals, painted by Edward Trumbull, praise the modern-day technical progress, including the building itself and its construction. The lobby was refurbished in 1978 by JCS Design Assocs. and Joseph Pell Lombardi.

The four elevator halls are lined with the same red marble and the doors of the twenty-eight passenger elevators are a striking handsome Art Deco design, displaying an abstract lotus pattern executed in metal and inlaid wood veneers.

The Chrysler Building, at 405 Lexington Avenue, was built from 1928-1930 to the art-deco design of architect William Van Alen. Standing at 1,046-feet high, it was the first structure in the world to surpass the 1,000-foot threshold. Despite being overtaken by the Empire State Building as the tallest building in the world eleven months later, the Chrysler Building is still the tallest brick building in the world. Although built and designed specifically for the Chrysler Corporation, the company did not pay for its construction and never owned it. Walter P. Chrysler self-financed the project so that his children could inherit it.

The Chrysler Building is known for its terraced crown, composed of seven arches and clad in an austenitic stainless steel and riveted in a radiating suburst pattern. The tower's distinctive ornamentation is influenced by Chrysler automobiles. The corners of the 61st floors are graced with eagles, replicas of the 1929 Chrysler hood ornaments. On the 31st floors the corner ornamentation are replicas of the 1929 Chrysler radiator caps.

The Chrysler Building was designated a landmark by the New York City Landmarks Preservation Commission in 1978. The ground floor interior was separately designated, also in 1978.

In 2007, The Chrysler Building was ranked #9 on the AIA 150 America's Favorite Architecture list.

National Historic Register #76001237 (1976)


NYC - Midtown: Chrysler Building - Elevator Hall
modern art deco design
Image by wallyg
The upwards tapering entrance lobby of the Chrysler Building rises three stories high with entrances from three sides--Lexington Avenue, 42nd and 43rd Streets. It is lavishly decorated with Red Moroccan marble walls, sienna-coloured floor and onyx, blue marble and steel in Art Deco compositions. The ceiling murals, painted by Edward Trumbull, praise the modern-day technical progress, including the building itself and its construction. The lobby was refurbished in 1978 by JCS Design Assocs. and Joseph Pell Lombardi.

The four elevator halls are lined with the same red marble and the doors of the twenty-eight passenger elevators are a striking handsome Art Deco design, displaying an abstract lotus pattern executed in metal and inlaid wood veneers.

The Chrysler Building, at 405 Lexington Avenue, was built from 1928-1930 to the art-deco design of architect William Van Alen. Standing at 1,046-feet high, it was the first structure in the world to surpass the 1,000-foot threshold. Despite being overtaken by the Empire State Building as the tallest building in the world eleven months later, the Chrysler Building is still the tallest brick building in the world. Although built and designed specifically for the Chrysler Corporation, the company did not pay for its construction and never owned it. Walter P. Chrysler self-financed the project so that his children could inherit it.

The Chrysler Building is known for its terraced crown, composed of seven arches and clad in an austenitic stainless steel and riveted in a radiating suburst pattern. The tower's distinctive ornamentation is influenced by Chrysler automobiles. The corners of the 61st floors are graced with eagles, replicas of the 1929 Chrysler hood ornaments. On the 31st floors the corner ornamentation are replicas of the 1929 Chrysler radiator caps.

The Chrysler Building was designated a landmark by the New York City Landmarks Preservation Commission in 1978. The ground floor interior was separately designated, also in 1978.

In 2007, The Chrysler Building was ranked #9 on the AIA 150 America's Favorite Architecture list.

National Historic Register #76001237 (1976)


NYC - Midtown: Chrysler Building - Lex Ave Entrance
modern art deco design
Image by wallyg
The upwards tapering entrance lobby of the Chrysler Building rises three stories high with entrances from three sides--Lexington Avenue, 42nd and 43rd Streets. It is lavishly decorated with Red Moroccan marble walls, sienna-coloured floor and onyx, blue marble and steel in Art Deco compositions. The ceiling murals, painted by Edward Trumbull, praise the modern-day technical progress, including the building itself and its construction. The lobby was refurbished in 1978 by JCS Design Assocs. and Joseph Pell Lombardi.

The Chrysler Building, at 405 Lexington Avenue, was built from 1928-1930 to the art-deco design of architect William Van Alen. Standing at 1,046-feet high, it was the first structure in the world to surpass the 1,000-foot threshold. Despite being overtaken by the Empire State Building as the tallest building in the world eleven months later, the Chrysler Building is still the tallest brick building in the world. Although built and designed specifically for the Chrysler Corporation, the company did not pay for its construction and never owned it. Walter P. Chrysler self-financed the project so that his children could inherit it.

The Chrysler Building is known for its terraced crown, composed of seven arches and clad in an austenitic stainless steel and riveted in a radiating suburst pattern. The tower's distinctive ornamentation is influenced by Chrysler automobiles. The corners of the 61st floors are graced with eagles, replicas of the 1929 Chrysler hood ornaments. On the 31st floors the corner ornamentation are replicas of the 1929 Chrysler radiator caps.

The Chrysler Building was designated a landmark by the New York City Landmarks Preservation Commission in 1978. The ground floor interior was separately designated, also in 1978.

In 2007, The Chrysler Building was ranked #9 on the AIA 150 America's Favorite Architecture list.

National Historic Register #76001237 (1976)


NYC - Midtown: Chrysler Building - Elevator Hall
modern art deco design
Image by wallyg
The upwards tapering entrance lobby of the Chrysler Building rises three stories high with entrances from three sides--Lexington Avenue, 42nd and 43rd Streets. It is lavishly decorated with Red Moroccan marble walls, sienna-coloured floor and onyx, blue marble and steel in Art Deco compositions. The ceiling murals, painted by Edward Trumbull, praise the modern-day technical progress, including the building itself and its construction. The lobby was refurbished in 1978 by JCS Design Assocs. and Joseph Pell Lombardi.

The four elevator halls are lined with the same red marble and the doors of the twenty-eight passenger elevators are a striking handsome Art Deco design, displaying an abstract lotus pattern executed in metal and inlaid wood veneers.

The Chrysler Building, at 405 Lexington Avenue, was built from 1928-1930 to the art-deco design of architect William Van Alen. Standing at 1,046-feet high, it was the first structure in the world to surpass the 1,000-foot threshold. Despite being overtaken by the Empire State Building as the tallest building in the world eleven months later, the Chrysler Building is still the tallest brick building in the world. Although built and designed specifically for the Chrysler Corporation, the company did not pay for its construction and never owned it. Walter P. Chrysler self-financed the project so that his children could inherit it.

The Chrysler Building is known for its terraced crown, composed of seven arches and clad in an austenitic stainless steel and riveted in a radiating suburst pattern. The tower's distinctive ornamentation is influenced by Chrysler automobiles. The corners of the 61st floors are graced with eagles, replicas of the 1929 Chrysler hood ornaments. On the 31st floors the corner ornamentation are replicas of the 1929 Chrysler radiator caps.

The Chrysler Building was designated a landmark by the New York City Landmarks Preservation Commission in 1978. The ground floor interior was separately designated, also in 1978.

In 2007, The Chrysler Building was ranked #9 on the AIA 150 America's Favorite Architecture list.

National Historic Register #76001237 (1976)

Cool Art Design Scholarships images

Grandfather
art design scholarships
Image by SlowTek
From my 3rd term Scholarship Portfolio. This is my Grandfather Phillip Cravits, major influence taught me the absolute right way to make so it would last for a hundred years. I don't always follow his perfection, but he is looking over my shoulder. I just realized he's wearing my steampunk sunglasses, I wonder if I'll end up with that wicked cool beard too?


Dance
art design scholarships
Image by SlowTek
3rd term Scholarship Portfolio


DrillBits
art design scholarships
Image by SlowTek
From my 3rd term Scholarship Portfolio. Nothing too exciting here except I still love Hardware and was modeling a screw the other day, for my first Maya class in decades.


TonedBuddha
art design scholarships
Image by SlowTek
From my 3rd term Scholarship Portfolio. I struggle with the ideals in Buddhism, this piece expresses my frustration. As a westerner raised in the Judeo-Christian traditions of duality Good/Bad Black/White, I probably filter everything through this and don't even get what Buddha really means anyway.


Watch
art design scholarships
Image by SlowTek
From my 3rd term Scholarship Portfolio. Watch on top of Glass with a Xerox of Leonardo type cogs underneath.

Cool Geometric Design Art images

Shipibo Traditional Art
geometric design art
Image by Howard G Charing
Underlying the intricate geometric patterns of great complexity displayed in the art of the Shipibo people is a concept of an all pervading magical reality which can challenge the Western linguistic heritage and rational mind.

www.scribd.com/fullscreen/46541840?access_key=key-2gcrwop...


Shipibo Traditional Art
geometric design art
Image by Howard G Charing
Underlying the intricate geometric patterns of great complexity displayed in the art of the Shipibo people is a concept of an all pervading magical reality which can challenge the Western linguistic heritage and rational mind.

www.scribd.com/fullscreen/46541840?access_key=key-2gcrwop...


Shipibo Traditional Art
geometric design art
Image by Howard G Charing
Underlying the intricate geometric patterns of great complexity displayed in the art of the Shipibo people is a concept of an all pervading magical reality which can challenge the Western linguistic heritage and rational mind.

www.scribd.com/fullscreen/46541840?access_key=key-2gcrwop...


Geometric
geometric design art
Image by quinn.anya


Geometric designed rot iron at the Beach Rotana
geometric design art
Image by ToGa Wanderings
Abu Dhabi, United Arab Emirates. September 2012

Saturday, February 23, 2013

State LIne Generating Station

State LIne Generating Station
art industrial design
Image by Andrew Ciscel
Art Deco industrial design built in the late 1920s. Indiana-Illinois state line .


Apple Industrial Design
art industrial design
Image by thetourist
white balance corrected somewhat over previous version


Advertising for Industrial design, Milwaukee Institute of Art & Design
art industrial design
Image by MIAD Communication Design
Student point-of-sale work from the Advertising Design class working with Industrial Design students at the Milwaukee Institute of Art & Design.
Visit miad.edu ℠miad


Advertising for Industrial design, Milwaukee Institute of Art & Design
art industrial design
Image by MIAD Communication Design
Student point-of-sale work from the Advertising Design class working with Industrial Design students at the Milwaukee Institute of Art & Design.
Visit miad.edu ℠miad


Advertising for Industrial design, Milwaukee Institute of Art & Design
art industrial design
Image by MIAD Communication Design
Student point-of-sale work from the Advertising Design class working with Industrial Design students at the Milwaukee Institute of Art & Design.
Visit miad.edu ℠miad

"office coffee" (coffee-kitchen) - - - - - - - (University of Art and Design)

"office coffee" (coffee-kitchen) - - - - - - - (University of Art and Design)
kitchen art design
Image by gynti_46
Und so könnte die Kaffeküche der Zukunft aussehen !

Eine Arbeit der "Burg"-Studentin von Karin Weber unter der Bezeichnung ´"office coffee" mit dem Ziel der Beseitigung der Kaffeepfützengefahr durch eine "Kleckerbox".

Die Burg Giebichenstein Hochschule für Kunst und Design Halle hatte vom 17. bis 19. Juli zur Jahresausstellung 2009 eingeladen, damit die Studenten ihre Werke der allgemeinen Öffentlichkeit vorstellen konnten.

www.burg-halle.de/


Laila's winning pull-out kitchen drawer design from the Worm Share workshop
kitchen art design
Image by amymyou
A workshop where participants learned about the environmental benefits of vermicomposting (composting with worms) and about how to share worms with friends and neighbors. We explored the variety of methods and containers that are being used for vermicomposting, from practical, to chic, to the experimental, flow-through fabric funnels. Workshop participants discussed, imagined and drafted up creative concept designs for their own ideal worm bin system. Then they voted on the best designs among the group. The winner took home a pound of live, red wiggler worms and the next two runners up will be able to collect their live worms from the "Building a Rainbow" installation at the end of the exhibition. Led by Amy Youngs at Spaces Gallery in Cleveland, OH


Fish Soup for Two
kitchen art design
Image by Angie Pants
I asked to see the menu, and this is what they pointed out to me.

Canon 30D

Guangzhou, China
(Ant Kitchen at Redtory Art+Design Factory)


Kitchen Art
kitchen art design
Image by pug freak
The "El" map compliments from my friend Kristen!


SolAbode kitchen
kitchen art design
Image by afagen
Team Alberta (University of Calgary, SAIT Polytechnic, Alberta College of Art + Design, Mount Royal College) SolAbode, Solar Decathlon 2009 hosted by the U.S. Department of Energy, National Mall, Washington, DC

Cool Kent Institute Of Art And Design images

Thursday, February 21, 2013

Typography One, Milwaukee Institute of Art & Design

Typography One, Milwaukee Institute of Art & Design
logo art design
Image by MIAD Communication Design


Typography One, Milwaukee Institute of Art & Design
logo art design
Image by MIAD Communication Design


Typography One, Milwaukee Institute of Art & Design
logo art design
Image by MIAD Communication Design


Design Axioms Logo
logo art design
Image by juhansonin
Art by Sarah Kaiser


Typography One, Milwaukee Institute of Art & Design
logo art design
Image by MIAD Communication Design